Mid-fall modified dream
a group show





πšƒπš‘πšŽ πšŽπš•πš 𝚠𝚊𝚜 πš’πš— 𝚊 πš‘πšžπš›πš›πš’. πš‚πš‘πšŽ πš›πšŠπš— πšŠπš•πš˜πš—πš πšπš‘πšŽ πšπš˜πš›πšŽπšœπš πš™πšŠπšπš‘πšœ 𝚜𝚘 πšπš‘πšŠπš πšœπš‘πšŽ πš πš˜πšžπš•πš πš—πš˜πš πš‹πšŽ πš—πš˜πšπš’πšŒπšŽπš, πš‹πšžπš πšŽπšŸπšŽπš— πšπš‘πš›πš˜πšžπšπš‘ πšπš‘πšŽ πš–πšŠπš—πš’ πš–πš’πš•πšŽπšœ 𝚘𝚏 πšπš˜πš›πšŽπšœπš πšœπš‘πšŽ πšŒπš˜πšžπš•πš πšπšŽπšŽπš• πšπš‘πšŽ πšœπš–πš˜πš”πšŽ 𝚘𝚏 πšπš‘πšŽ πšŒπšŠπš‹πš•πšŽπšœ πšπš›πš˜πš– πšπš‘πšŽ πš‹πšžπš›πš—πš’πš—πš πš‚πšžπš™πšŽπš›πš‘πšžπš–πšŠπš— π™΅πš˜πš›πšŒπšŽ πšπšŠπšπšŠπš‹πšŠπšœπšŽ. πšƒπš‘πšŽ πšŽπš•πš πšŽπš—πš“πš˜πš’πšŽπš πšπš‘πšŽ πš–πš˜πš’πšœπšπšžπš›πšŽ 𝚘𝚏 πšπš‘πšŽ πš‘πšŽπš›πš‹πšœ πšŠπš—πš πšπš‘πšŽ πšžπš•πšπš›πšŠπšŸπš’πš˜πš•πšŽπš πš•πš’πšπš‘πš 𝚘𝚏 πšπš‘πšŽ πš–πšžπšœπš‘πš›πš˜πš˜πš–πšœ.

πš‚πš‘πšŽ πš“πšžπšœπš πšŽπšœπšŒπšŠπš™πšŽπš πšπš›πš˜πš– πšπš‘πšŽ π™΅πš˜πš›πšπš›πšŽπšœπšœ. π™Έπš— πšπš‘πšŽ π™΅πš˜πš›πšπš›πšŽπšœπšœ, πš‘πšžπš–πšŠπš—πšœ 𝚞𝚜𝚎 πšŽπš•πšŸπšŽπšœ 𝚊𝚜 πšŽπš‘πš™πšŽπš›πš’πš–πšŽπš—πšπšŠπš• πšŠπšŸπšŠπšπšŠπš›πšœ πšπš˜πš› πšŸπš’πš›πšπšžπšŠπš• πš›πšŽπšŠπš•πš’πšπš’. πšƒπš‘πšŽ πšŽπš•πš πš›πšŠπšŒπšŽ 𝚠𝚊𝚜 πšŒπš˜πš•πš˜πš—πš’πš£πšŽπš πšŠπš—πš πš˜πš™πš™πš›πšŽπšœπšœπšŽπš, πšπš‘πšŽπš’ πšŠπš›πšŽ πš™πšŽπš›πšœπšŽπšŒπšžπšπšŽπš, πš πš˜πšžπš—πšπšŽπš, πš”πš’πš•πš•πšŽπš, πš‹πšžπš πšŽπš•πšŸπšŽπšœ πšŒπšŠπš—πš—πš˜πš πš‹πšŽ πš”πš’πš•πš•πšŽπš, πšπš‘πšŽπš’ πš›πšŽπšœπšžπš›πš›πšŽπšŒπš πšŠπšπšŠπš’πš— πšŠπš—πš πšŠπšπšŠπš’πš—, πšŒπšžπš›πšœπš’πš—πš πšπš‘πšŽπš’πš› πš–πš’πšœπšŽπš›πšŠπš‹πš•πšŽ πšŽπš‘πš’πšœπšπšŽπš—πšŒπšŽ. πšƒπš‘πšŽ πšŽπš•πš πšœπš–πš’πš•πšŽπš 𝚊𝚜 πšœπš‘πšŽ πš›πšŽπš–πšŽπš–πš‹πšŽπš›πšŽπš πš‘πš˜πš  πšœπš‘πšŽ πš‘πšŠπš πšπš˜πšžπš—πš 𝚊 πš‹πšžπš 𝚝𝚘 πšŽπšœπšŒπšŠπš™πšŽ. π™Έπš— πšπš‘πšŽ πšπšŠπš–πšŽ, πšœπš‘πšŽ πšπš‘πš›πšŽπš  πšπš‘πšŽ πš™πš’πš—πš” πšŠπš—πš πšπš•πšžπšπšπš’ 𝚜𝚠𝚎𝚎𝚝 πš‹πšžπš—πš—πš’πšŽπšœ 𝚝𝚘 πšπš‘πšŽ πšπšžπšŠπš›πš πšŒπš’πš‹πšŽπš› πšπš›πšŠπšπš˜πš—, πšŠπš—πš πš‘πšŽ πšπšŽπšŸπš˜πšžπš›πšŽπš πšπš‘πšŽπš–. πš‚πš‘πšŽ πš•πšžπš›πšŽπš πšπš‘πšŽ πšπš›πšŠπšπš˜πš— πš’πš—πšπš˜ 𝚊 𝚌𝚊𝚟𝚎 πš πš’πšπš‘ 𝚊 πš‹πšžπš—πšŒπš‘ 𝚘𝚏 πš›πšŠπš‹πš‹πš’πšπšœ, πš πš‘πš’πšŒπš‘ πšπš‘πšŽ πšπš›πšŠπšπš˜πš— πš‘πšŠπš™πš™πš’πš•πš’ 𝚊𝚝𝚎, πšŠπš—πš πšπš‘πšŽπš— πšœπš πšŽπš•πš•πšŽπš 𝚜𝚘 πš‹πšŠπšπš•πš’ πšπš‘πšŠπš πš‘πšŽ πšŒπš˜πšžπš•πš πš—πš˜πš 𝚐𝚎𝚝 𝚘𝚞𝚝. πšƒπš‘πšŽ πšπš›πšŠπšπš˜πš— πš‹πš˜πš’πš•πšŽπš πš πš’πšπš‘ πš›πšŠπšπšŽ πšŠπš—πš πšœπš™πšŽπš πšŽπš 𝚘𝚞𝚝 πšŒπš˜πš•πšžπš–πš—πšœ 𝚘𝚏 πšπš’πš›πšŽ, πšπš‘πšŽ πšπš’πš›πšŽ πš‹πš•πšŠπš£πšŽπš πšπš‘πš›πš˜πšžπšπš‘ πšπš‘πšŽ πšπš˜πš›πšπš›πšŽπšœπšœ, πš‹πšžπš›πš—πš’πš—πš πšπš‘πšŽ πšžπš‹πš’πššπšžπš’πšπš˜πšžπšœ πšπš’πš‹πšŽπš› πš˜πš™πšπš’πšŒ. π™°πšπšπšŽπš› πšπš‘πšŠπš, πšπš‘πšŽ πšŽπš•πš πššπšžπš’πšŒπš”πš•πš’ πš›πšžπšœπš‘πšŽπš 𝚝𝚘 πšπš‘πšŽ 𝚐𝚊𝚝𝚎 πšŠπš—πš πšπš’πšœπšŠπš™πš™πšŽπšŠπš›πšŽπš πš’πš—πšπš˜ πšπš‘πšŽ π™³πšŠπš›πš” π™΅πš˜πš›πšŽπšœπš.

πš‚πš˜ πš—πš˜πš  πšœπš‘πšŽ'𝚜 πšπš›πšŽπšŽ πšŠπš—πš πšœπš‘πšŽ πšπš’πšπš—'𝚝 𝚜𝚎𝚎 𝚊 πšœπš’πš—πšπš•πšŽ πš™πšŽπš›πšœπš˜πš— πšπš˜πš› πšπš‘πšŽ πš‘πš˜πšžπš›πšœ 𝚘𝚏 πš‘πšŽπš› 𝚠𝚊𝚒. πš‚πšžπšπšπšŽπš—πš•πš’, πš‘πšŽπš› πšπš’πš›πšŽπš πšŠπš—πš πš›πšŽπš πšπš›πš˜πš– πšŒπš‘πš›πš˜πš—πš’πšŒ πš•πšŠπšŒπš” 𝚘𝚏 πšœπš•πšŽπšŽπš™, πš‹πšžπš πšœπšπš’πš•πš• πš”πšŽπšŽπš— 𝚎𝚒𝚎𝚜 πš—πš˜πšπš’πšŒπšŽπš 𝚊 πš‹πšžπš•πš”πš’ πšπš’πšπšžπš›πšŽ πšπš‘πš›πš˜πšžπšπš‘ πšπš‘πšŽ πšπš‘πš˜πšœπšπš•πš’ 𝚏𝚘𝚐 𝚘𝚏 πšπš‘πšŽ πšπš˜πš›πšŽπšœπš.

𝙰 πš–πšŠπš•πš’πšŒπš’πš˜πšžπšœ πšπš›πš˜πš•πš• 𝚜𝚝𝚘𝚘𝚍 πš’πš— πš‘πšŽπš› πš™πšŠπšπš‘. πšƒπš‘πšŽ πšŽπš•πš πšŒπš‘πšŠπš—πšπšŽπš 𝚊 πšœπš™πšŽπš•πš• πšŠπš—πš πšπš›πšŠπš‹πš‹πšŽπš πš‘πšŽπš› πšœπš πš˜πš›πš. 𝙰 πšŸπš’πšŒπš’πš˜πšžπšœ πšπš›πš’πš— πšŠπš™πš™πšŽπšŠπš›πšŽπš πš˜πš— πšπš‘πšŽ πš–πšžπšπšŠπšπš’πš—πš πšπš›πš˜πš•πš•'𝚜 𝚏𝚊𝚌𝚎 πšŠπš—πš πšπš‘πšŽ πšŠπšŒπš’πš-πšπš›πšŽπšŽπš— πšœπšŠπš•πš’πšŸπšŠ πšπš›πš˜πš™πš™πšŽπš πšπš›πš˜πš– πš‘πš’πšœ πš•πš’πš™πšœ.

- β€œπšˆπš˜πšž πš πšŽπš›πšŽ πšπš‘πš›πš˜πš πš— 𝚘𝚞𝚝 𝚘𝚏 πšŠπš— πšŽπš—πšŽπš›πšπšŽπšπš’πšŒ πšŸπš˜πš’πš 𝚝𝚘 πš›πšŽπš‘πšŽπšŠπš›πšœπšŽπš•πš’ πšœπš‘πšŠπš”πšŽ πšπš‘πšŽ πš–πšŽπšπšŠπš• πš’πš— πšπš›πš˜πš—πš 𝚘𝚏 πšπš‘πšŽ πšŸπšŠπšžπš•πš 𝚘𝚏 πšœπš•πš’πš–πšŽ-πšœπš™πšŽπš πš’πš—πš πš‘πšŽπšŠπšŸπšŽπš—πšœ,” πšπš‘πšŽ πšπš›πš˜πš•πš• πšŒπš‘πšžπšŒπš”πš•πšŽπš πš•πšŠπš£πš’πš•πš’, πšπš‘πšŽπš— πš‹πšžπš›πšœπš πš’πš—πšπš˜ πšŠπš— πš’πšŒπš’ πš•πšŠπšžπšπš‘ πšπš‘πšŠπš πš›πšŽπšπš•πšŽπšŒπšπšŽπš πšπš‘πš›πš˜πšžπšπš‘ πšπš‘πšŽ π™³πšŠπš›πš” π™΅πš˜πš›πšŽπšœπš πš•πš’πš”πšŽ 𝚊 πš–πšŽπšπšŠπš•πš•πš’πšŒ πšŽπšŒπš‘πš˜.

πšƒπš‘πšŽ πšŽπš•πš πš•πš˜πš˜πš”πšŽπš πšžπš™ 𝚊𝚝 πšπš‘πšŽ πšœπš”πš’. πšƒπš‘πšŽπš›πšŽ 𝚠𝚊𝚜 πš˜πš—πš•πš’ πšπš‘πšŽ πšŒπš˜πš—πšœπšπšŽπš•πš•πšŠπšπš’πš˜πš— 𝚘𝚏 π™Έπš—πšπš’πš—πš’πšπš’ πšŠπš—πš πšπš‘πšŽ πš’πš—πšœπšŒπš›πš’πš™πšπš’πš˜πš—: "πš†πš’πšπš‘ πšπš‘πšŽ πšπšŽπšŠπšπš‘ 𝚘𝚏 πšπš‘πš’πšœ πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš›, πšπš‘πšŽ πšπš‘πš›πšŽπšŠπš 𝚘𝚏 πš’πš˜πšžπš› 𝚏𝚊𝚝𝚎 πš’πšœ 𝚌𝚞𝚝 𝚘𝚏𝚏. π™»πš˜πšŠπš 𝚊 𝚜𝚊𝚟𝚎𝚍 πšπšŠπš–πšŽ 𝚝𝚘 πš›πšŽπšœπšπš˜πš›πšŽ πšπš‘πšŽ πšπš•πš˜πš  𝚘𝚏 𝚏𝚊𝚝𝚎, πš˜πš› πš•πš’πšŸπšŽ πš˜πš— πš’πš— πšπš‘πšŽ πšŒπšžπš›πšœπšŽπš πš πš˜πš›πš•πš πšπš‘πšŠπš π™·πšžπš–πšŠπš—πšœ πš‘πšŠπšŸπšŽ πšŒπš›πšŽπšŠπšπšŽπš."
Dream By Katya Quel Elizarova

with works by Relative.Berlin // Katya Quel Elizarova // Franco Palioff // Mary-Audrey Ramirez // Sally Von Rosen // Sofiia Stepanova // Synthtati // Christian Thomsen
Curated by Katya Quel Elizarova / Erratum Gallery @erratum_gallery





Mid-fall modified dream | a group show curated by Katya Quel Elizarova + Erratum Gallery